Here is a link to my finished website…
https://elleenchanted.w3spaces.com/
Wowee was it a learning curve to create this thing from scratch, but I’m pretty proud of the result! It’s nice to see my notable work all in one place.
Here is a link to my finished website…
https://elleenchanted.w3spaces.com/
Wowee was it a learning curve to create this thing from scratch, but I’m pretty proud of the result! It’s nice to see my notable work all in one place.
This week, I worked on putting together some photo collages for my portfolio projects to better display them visually. There are three things I want to be sure come are included in each collage…
Most of the work that goes into making these is searching through my folders and photo library, collecting all the content. Some of these costumes I made several years ago by now, so finding decent images that are “portfolio quality” can be a challenge.
Since next week is our deadline to have our websites complete, I have quite a bit left to finish. Good news is that I am solid on what the content is, its mostly a matter of compiling whats left.
Raspberry monster, BiO Rin, Append and commissions all need photo collages added. I also need to write a description for BiO Rin and embed a video link into RM Miku’s section. If I have time, I may consider adding a couple other projects such as DEX (Vocaloid), Luci (Disenchantment), Taako (TAZ: Balance) or Primrose (my OC and most recent project).
I also need to fuss with the headers for my resume page to make the formatting more cohesive. I will also make a note to add a proper footer and include links to my social medias and such in my about section.
This week I feel like I made some good progress!
I added a few more projects to my portfolio page (Lady Two and “Bring it On” Rin) and really continued to focus on writing good descriptions for each one and making tweaks to the layout. Its been at least a year or two since I finished any of the projects I’ll be displaying on my website (going back to school has made focusing on my art quite difficult :”)), so I have to really sit down and think through all the details in order to make each description compelling and accurate. There’s a LOT that I want to share, which I think actually is a good thing!
OH and I also was finally able to figure out how to embed a link into a photo! I did it as a test for Bring it On Rin (because that project has a youtube video attached). I’ll be doing the same for Raspberry Monster.
Still a major thing on my to-do list is to replace the single photo layout for collages that better display the costumes and their references. It will take a chunk of time to do all the digging around for photos and compiling them neatly, so I’ve sorta been procrastinating on it lol. But I think I’ll be strong enough this upcoming week to finally tackle it!
I’ve also been meaning to change the color of the website header but I am indecisive on what to choose and I’ve gotten so used to the teal by now, haha.
This week has been madness with my personal life but I did manage to make some meager progress over here on my website!
I added a couple new portfolio projects (Append Miku and AS:BV Rin) and really spent some time honing my descriptions. I have a lot to say about these beloved past projects of mine so I’m trying my best to say everything that I want to say in a concise, compelling way. I’ve only ever really posted these projects to social media, so attempting to consolidate all the info about how they were made/the inspiration behind them is both satisfying and difficult. Especially for projects pre-2020, as I have to dig farther back in my memory to recall all the important details about them.
I decided to start organizing my projects chronologically, with the most recent ones being at the top of the page.
Next week I will have a lot more time to focus on this, so I hope to try out my idea soon of making media collages for each project instead of just single photos! It will help tell a much better story for each one, I think. There are a few projects (Append, Raspberryism and Bring it On Rin) that have videos to accompany them, so I also need to find a satisfying way to link those (they are already uploaded to YouTube).
At this point, I’m starting to feel like I have the hang of HTML. Maybe it’s just that the hard part of formatting is (mostly) already over with haha. But it’s making the process of working on this website much easier and a lot more fun. I’m actually looking forward to making more progress!
So, I got a little behind on customizing my website content, even despite the fact that I had spring break to catch up. Life has been busy! Also, not gonna lie, html still scares me a little bit. I’m a hands-on artist at heart, and an unfortunate side effect of that is that tech/computer literacy is not my strong suit. But I was determined this week to push through and finally make some good progress.
My first task was to fill in all my resume info, which was pretty simple given I was mainly pulling copy from a resume that I’ve already had written up. I also took some time to adjust the headers and navigation bars for each page in order to make the site look as cohesive as possible.
Next, my task was to start deciding how I want to organize my portfolio content. Luckily, I have quite a bit to work with. I wrote down a list of all the projects I’d like to showcase and determined a skill to highlight with each one. Here is my master list as of now…
(I’m naming each project after the character it features)
*** These projects are costumes that I competed in and subsequently won awards for. I will definitely make note of this in my portfolio (I have the awards already listed in my resume, replacing the “Languages” section). Raspberry Monster is one of my personal favorites and displays multiple strong skills. I am considering making RM Miku my “featured” portfolio project, perhaps putting it at the top of the page.
All of the projects listed above were created for myself and were not made for profit.
I also have it in mind to include a featured section for work I have done for clients. As noted in my resume now, I’ve been doing freelance work as a wig stylist under the name “Elle Enchanted Wigs” since 2020. Since I have 30+ wigs that I could include as proof of my commissioned work, I might have to narrow it down to a few that are my favorite or that look the most impressive.
Most of my commissions from 2020-2022 have written tutorials accompanying them, so I hope to find a way to include mention of those as well, possibly with a link to an example text from one.
I’ve gone ahead and played around with putting some content in the portolio page. To start, I’m using Raspberry Monster Miku and my wig commissions as examples. I’d like to add a few more projects next week, and flesh out the existing ones a little more now that I have something to work with.
I also anticipate editing together some photo compilations for each project in order to better highlight each skill. That’s a goal for next week!
In order to generate ideas on how to structure my upcoming portfolio, I started off by asking ChatGPT two questions. Firstly…
“Can you tell me what a portfolio for a freelance artist in the cosplay industry might look like?”
Here was it’s response…
Certainly! A portfolio for a freelance artist in the cosplay industry should showcase the individual’s skills, creativity, and versatility. Here are some key elements to include in a cosplay artist’s portfolio:
Remember to keep your portfolio visually appealing, easy to navigate, and regularly update it with your latest projects.
Wow… once again I am very impressed with ChatGPT’s capability to give advice so specific to my desired industry. I truly couldn’t have written it any better myself.
Though I was sure it would give similar results, here is the second question I asked it (for the sake of being thorough)…
“Can you give some ideas about what to put in a portfolio as a freelance artist in the cosplay industry?”
And here was it’s response…
Certainly! Creating a diverse and comprehensive portfolio is crucial for showcasing your skills and attracting potential clients as a freelance artist in the cosplay industry. Here are some specific ideas for content to include in your portfolio:
Remember to provide concise yet informative captions or descriptions for each project, explaining the inspiration, challenges faced, and unique aspects of each cosplay. Regularly update your portfolio to reflect your latest and best work.
Now, I’m very glad that I asked the 2nd question because the results from this one were much more thorough. While the first question suggestion gave me a feel for how the website itself could be structured, the second really expounds on what should be included in “Portfolio Sections”. BRB, taking furious notes.
So many things that it suggested are things that I do personally believe would be very effective to include in my portfolio. It made me realize as well how good of an idea it would be to include makeup transformations as well as documented awards (of which I have two!).
AI is super cool in this way. It almost feels a little… lazy lol but it effectively gave me in two seconds what would have taken me probably 30 minutes to draft up myself, on top of giving me a handful of fresh ideas in a very coherent format. I will take some time soon to jot down some notes of what I have for each category and perhaps try to come up with anything it may have not suggested.
Okay, so I fiddled around with ChatGPT for a little while this evening and asked it some questions about my plans post-graduation. I got nervous typing in my first query because I wouldn’t guess that “freelance costume maker for the cosplay industry” is a common career aspiration and was worried that the results would turn out either sparse or strange. The AI’s response, though, was actually incredibly specific and knowledgable!
Here is a summary of the relevant information I gleaned of this session that is most relevant to curating a successful portfolio (as a freelancer)…
Okay so whew, that’s a lot of information! Most of it, upon having digested it a little more, seems accurate to my prior experience as a fledgling cosplay freelancer. I have no doubt that it is pulling from accurate sources here, given how specific and relatable the details are.
I like the noted separation of ideas here for this portfolio advice. When I consider my portfolio, usually I’m focused on wanting to showcase the costumes as a whole, aka I’m not really thinking about the individual skills they showcase. So organizing my portfolio not just by project but by skill I think would look most impressive. Maybe this could entail selecting a prominent fabrication skill to feature for each project? I really like the sound of that idea.
I’m also validated by its suggestion to include copious works-in-progress content or even before-and-after photos, as I truly think its the best way to demonstrate one’s skill with making costume pieces from scratch. I may have to dig in order to find some of this content for my costumes that are more dated, but I think it would be worth it.
Overall in this exercise, ChatGPT proved to be 1) insanely knowledgable and 2) quite inspiring. It voiced some much-needed structure into the ideas I had floating around in my head for how my portfolio will take shape.
I was compelled to ask it a few more questions along the lines of, “What are different streams of income available to freelancers in the cosplay industry” and “What are some good business practices for someone establishing themselves as an entrepreneur in the cosplay industry?”. Though these questions don’t pertain much to cultivating a portfolio, they also proved to provide valuable insight. It certainly might help spark my inspiration in the future to expand my cosplay endeavors in different directions.
Right now, I’m set on pursuing a career as a freelance artist post-graduation. Cosplay is my primary area of expertise, so it would make the most sense to me to seek out future opportunities that would revolve around costume making/performing skills.
In my experience, seeking out job opportunities can be… difficult, if not just straight up contradictory when taking an entrepreneurial approach to your career. Myself (in the past) and other freelancers I know typically approach work by pursuing opportunities within our spheres of influence, rather than searching for companies that are hiring. At the same time though, there is value in considering traditional job listings. What if freelancing turns out not to be enough? What if I decide to change paths halfway through my career? What if I want professional experience that only working for an established company could give me?
When conducting my recent search (using Indeed and Monster), I used terms that related to my skillset as an artist: costume, wardrobe, seamstress, sewing, performer, theatre, freelancer. The results were… mixed. Terms like “costume” or even “cosplay” get very few results, though the ones that do exist are interesting. A listing for a costume department administrator (The Atlanta Opera) and another for a costume stitcher (Woodruff Arts Center) both caught my eye. Terms like “sewing” get wider results, including a few that pay quite well and require mostly just the baseline ability to operate a sewing machine. Terms like “performer” give me some of my favorite results, though. To be a street actor for Stone Mountain Park or even a professional mermaid (ah, a childhood dream) sounds so exciting.
When I looked up “freelancer”, I got a ton of random results. Lots of requests for copy editors, models, and social media managers- nothing quite aligning with my skills or interests. For future freelancing endeavors, it feels like a no-brainer to take a more entrepreneurial approach and look within my own community rather than traditional job listings. Though who knows, maybe one day I’d scroll past someone needing a “freelance costume specialist”.
In general, costume department jobs and sewing jobs require a bachelors degree as well as competence with a sewing machine. Performance jobs seem more relaxed on their requirements, mostly asking the potential hire to have prior experience in cosplay/theatre and to be adequate at interacting with folks in-character. Here’s a boiled-down list from my research…
Based on these qualifications, I think it would be best to really flesh out and define the artistic skills I’ve picked up already from being a cosplayer. This should definitely include sewing, wig styling, foam smithing, prop building, makeup, modeling, performance (acting/stage presence/character adaptability). Presenting myself as a jack-of-all-trades in the realm of cosplay (fabrication and performance elements) I think will set me up well for a wide range of professional job opportunities. Here’s a rundown of my existing portfolio content…
The problem with this stuff for me now is not really a lack of content, but a lack of organization. Before I graduate, I’d like to focus my efforts on curating all existing evidence of my work into one central platform that can be easily accessed. Maybe then, it will be easier to see where my experience could be fleshed out. Seriously, some of these photos have been buried in my files for yearsss and have never seen the light of day.
I’d also like to spend time curating professional-looking profiles for my past costume projects, and expand them to include works-in-progress photos to really highlight how they were fabricated. I have a feeling that my fabrication or “workshop” skills will be the most important to potential employers.
Also also, I’d like to consider adding to my portfolio some examples of non-cosplay related art skills such as drawing (which could be applied to character/costume design).
Hello world! My name is Marielle, though “professionally” most folks would call me Elle, or Elle Enchanted Cosplay. At heart, I am a dreamer and enthusiast of all things fictional and fantastical. Books, video games, animation, puppetry- anything with an interesting story to tell. Though out in the world, I’m a self-made costume maker and wearer… I guess you’d call that cosplay!
I first dipped my toes into the world of cosplay when I was a teenager, and it clicked like no other artistic hobby I’d ever tried. The compound joy of learning to fabricate the look of your favorite characters from scratch and then giving yourself the freedom to become them (even if its just till the makeup wears off) sparked my soul fire, and I’ve dedicated myself to the craft ever since.
I’d like to consider myself experienced in my own right, which could partially be blamed on my obsessive nature. I’ve lost count of the amount of costumes I’ve made and conventions I’ve attended since starting this journey. While I’m no professional, I’d like to think that I have enough experience to back up a future career as a freelancer in the cosplay scene. What form this freelancing would take is the real question on my mind as I approach graduation…
Freelancing takes a different form for every artist, depending on the community they root themselves in. I’ve experimented with selling my skills in a few different ways over the years, though none have been successful enough for me to be satisfied (we’re talking both creatively and financially). My most recent endeavor (2019-2023) was advertising myself as a wig stylist for-hire to the larger cosplay community, which ended up working pretty well!… until it didn’t. Ultimately, I pushed myself too far. I had the audience and the skill required, but taking on commissions as my only source of income drove me away from my love for the craft and straight into burnout territory (out of which I’m still attempting to recover). I have alternatively found moderate success in writing/selling digital tutorials for various cosplay-related crafting techniques, but I haven’t had the energy or courage yet to turn it into anything substantial.
The problem I seem to be facing in terms of what a potential future in costuming would look like revolves around 1) form and 2) sustainability. I’ve already had to learn the hard way how difficult it can be to turn something that you love into a way to make money, but I’m still a firm believer that it can be done successfully. Also for me, as an artist, making business decisions doesn’t always come naturally (though, pursuing an entrepreneurship degree has been tremendously helpful). I think the way forward is to open myself to learning more from other successful creatives and to find new ways to reconnect with the community. I’d also benefit to consider new streams of income, perhaps multiple (both passive and active) that could be compounded.
Whatever happens, I know that finding balance will be key. Too much focus on making money will drain me of my passion for the craft, but too much focus on doing things my own way will likely not prove to be successful in the long run.
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